In a thoroughly immersed performance that’s being seen as a guaranteed awards-season attention magnet, Joaquin Phoenix plays Arthur Fleck, a part-time rent-a-clown working for a seedy talent agency full of exaggerated grotesques. Arthur starts with close to nothing, and loses it all incrementally, in ways designed to hurt empathetic viewers. And then he models a way to not be harmless anymore. It’s been fascinating to watch the discussion around the movie shift from “Do we really need another Joker story so soon after Suicide Squad?” to “Is Joker full of dangerous ideas that will spur its worst fans to murder?” The initial worries around Joker assumed the movie would be unnecessary, its impact negligible. It’s a tempting fantasy, crafted with utter conviction. The current questions ascribe it with too much importance, as if it might incite full-blown anarchy just by existing.
“I just don’t want to feel so bad anymore,” Arthur says plaintively at one point. It shows him weeping alone when he plays by the rules, and dancing wildly in public when he decides to break those rules. The story hurts and harms him, but Phillips suggests in the end that everything he went through was necessary to bring him the power and recognition he deserves. Ultimate. Cookies help us deliver our Services. Sorry, this post has been removed by the moderators of r/Joker_Mains. More posts from the Joker_Mains community. Press question mark to learn the rest of the keyboard shortcuts. Phillips and co-writer Scott Silver follow in the footsteps of Joel Schumacher’s 1993 drama Falling Down in portraying the world as a cartoonishly dark and uncaring place, an almost comically vile carnival where the protagonist can’t find a hint of comfort or relief. newsletter. That doesn’t necessarily make Joker a call to action, or an invitation to real-life violence. Cookies help us deliver our Services. It’s a self-pitying fantasy, certainly. The important part of Arthur’s story — and the cause for so much of the concern around Joker — is that when he embraces his most nihilistic and destructive impulses, he suddenly earns the praise and attention he’s been lacking. Joker is a 2019 American psychological thriller film directed and produced by Todd Phillips, who co-wrote the screenplay with Scott Silver. The problem is that he isn’t particularly funny. When he says he feels invisible, it’s clear why: he’s the kind of person people look away from on the street, out of apathy or active discomfort. Ultimate. Joaquin Phoenix stars as the man who becomes Joker after a harrowing series of experiences designed to make audiences empathize with him … Moderators remove posts from feeds for a variety of reasons, including keeping communities safe, civil, and true to their purpose. As usual in a case where people leap to extremes, the truth is somewhere in the middle. Viewers who aren’t already inclined to see humanity as a seething cesspit may not resonate with that level of cynicism. But to viewers who feel as abused and overlooked as Arthur Fleck, or even who harbor smaller, more rational resentments about society, Joker is a deliberate and fine-tuned provocation and promise: you aren’t alone, the people you hate really are awful, and it would be okay to act against them in any way you want. He’s devoted to his sick mother Penny (Frances Conroy), who’s encouraged him to see himself as a joyous light in the world, bringing laughter to the people. Like Falling Down — and Martin Scorsese’s Taxi Driver, which Phillips openly emulates and references — Joker suggests that when the leading man loses his mind, it’s an understandable, even natural reaction to an equally mad world. MKLeo is essentially the best Smash Ultimate player in the world after EVO 2019, and he mains Joker from the Persona series. But love it or hate it, the film does spin up a tempting fantasy of persecution and relief, of embracing nihilism as a means of complete escape from a terrible world. Sorry, this post was removed by Reddit's spam filters. It’s hypnotic just how horrifying Arthur’s existence is, just as Phoenix’s performance is hypnotic as he spirals from fragile hope into increasingly outsized and confident acts of destruction. Phillips has made it clear that he doesn’t believe Joker is anything as small and dismissible as a mere comic-book movie.
Todd Phillips’ standalone supervillain origin story Joker is arriving in theaters amid so much controversy and concern about the potential for copycat violence that the debate has largely overwhelmed the film itself. Ultimate. r/Joker_Mains A subreddit dedicated to Joker for Super Smash Bros. Come here to find and post for your love of Joker, tips and tricks, fun details, and more. Come here to find and post for your love of Joker, tips and tricks …
And then he takes violent, irrevocable action. That may not fully motivate him, but it’s meant as a message for the segment of the audience that feels closest to Arthur, those who feel most unseen and unloved: plenty of people agree with you that the world is unfair and ugly, and if you did something about it, they’d back your play. By dismissing the world as imbalanced at best, outright malicious at worst, Phillips is enabling his viewers’ worst and most destructive impulses. Ultimate. r/Joker_Mains A subreddit dedicated to Joker for Super Smash Bros. Come here to find and post for your love of Joker, tips and tricks, fun details, and more. While working as a sign-twirler, Arthur is randomly beaten by a handful of kids, who steal his sign and then break it over his head. There are some ugly, self-serving messages in the movie, which is incongruously bent on creating sympathy for Batman’s worst enemy and one of DC Comics’ most notoriously callous mass murderers and atrocity architects. A subreddit dedicated to Joker for Super Smash Bros. But Joker would probably be raising much less social concern if it wasn’t such a technically compelling movie, if its final moments weren’t so outsized and joyous and purposefully insane. That’s a fairly adolescent outlook, which Phillips embraces in the same persecution-complex spirit that recently led him to complain that he had to make Joker because the world is now too sensitive and woke for his previous brand of destructive-bro comedy. Phillips and cinematographer Lawrence Sher (who also DP’d for all three of Phillips’ Hangover movies) give the film a sickeningly grungy, underlit, David Fincher-esque look, especially in Arthur’s squalid home. But while his film is grimmer and more harrowing than anything in the Marvel Cinematic Universe, it’s offering up a fantasy just as clearly as any superhero wish-fulfillment power trip: the fantasy of being a hero to some, of going from powerlessness to power, of being feared and beloved at the same time. Everything about the storytelling — the ominous, booming score; the gritty darkness; the invasive sound design — is designed to be oppressive, and to push the audience toward Arthur’s point of view as the primary victim of all the oppression.
It shows someone suffering when he lets society have its way with him, and freed when he has his way with society. That tension between sympathy and revulsion is one of the most honest things about Joker, which mostly goes out of its way to make the world awful. Come here to find and post for your love of Joker, tips and tricks, fun details, and more. Reddit's automated bots frequently filter posts it thinks might be spam. It’s a persecution complex turned into a wish-fulfillment power trip. Press question mark to learn the rest of the keyboard shortcuts. Many critics and early viewers have responded to Joker with loathing, because that fantasy is so selfish and solipsistic.
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